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Details :

 

KARL BOHM, BERLINER PHIL
MOZART: DIE ZAUBERFLOTE (180g LP) [LP-VINYL]

Number: 136440
Label: CLEARAUDIO
Barcode: N/A
Released Date:
2005年8月16日

265.00

 

Track Listing:

 

 

Description:

 

Features: EVELYN LEAR / LISA OTTO / ROBERTA PETERS / FRANZ CRASS / DIETRICH FISCHER-DIESKAU / FRITZ WUNDERLICH

"The Magic Flute" is a fairy tale, and at the same time a parable. It takes us into the realms of heaven and hell, and in a colorful succession of contrasting pictures shows us the human being standing between the two—irrespective of whether he strives for a modest share of worldly happiness or for a deep perception of truth. While demoniacal forces of darkness are personified in the vengeful Queen of Night and her three ladies, a pure radiancy of light shines on the nobility of we high priest Sarastro. His realm is the Temple of "wisdom in which the ethical laws of freemasonry are observed. (Both Mozart and his librettist Schikaneder were familiar with these ideals, as they were themselves freemasons.) On a high level of human maturity stands Tamino, whose nobility of soul leads him along die appointed road towards perfection and protects him against temptation, while Pamina—who, as daughter of die Queen of Night, had her origins in the realm of darkness—is purified by love to become worthy of him.
As companion in die trials which he must undergo Tamino has the happy-go-lucky birdcatcher Papageno. For him, however, an exalted goal is unattainable. He is devoted wholeheartedly to the primivite pleasures of life, and always succumbs to the temptations which lie in his path. Eventually, therefore, they have to go different ways, but in die end Papageno, too, finds an attainable goal: worldly happiness with a wife like himself, and the hope or many little Papa-genos and Papagenas.
Protected by three genii, Tamino and Pamina have withstood their severe trials. They have gone through fire and water, and Sarascro has declared diem to be worthy to eater into die Temple of 'wisdom. The powers of evil—the Queen of Night with her ladies and the villainous Moor Monostatos—attempt to obtain their re-venge by a deed of violence, and to seize power for themselves, but they are shattered, and cast down into everlasting night. The power of light has overcome die darkness! A fairy-tale subject full of fantasy, which takes on its profound meaning only through Mozart's incomparable music. From die elements of solemnity and rich humour, high drama and tender lyricism his genius created an imperishable work of complete homogeneity and mastery—a symbol of pure truth.

 

Reviews:

 

音響技術 (2005/12/1) Author: 披頭

這是一個很高水平的「魔笛」

上月我在試聽Verity Parsifal Ovation新喇叭時,在試音室的 CD櫃中揀了Karl Bohm指的莫札特「魔笛」作為其中一張試音碟;這個月卻收到同一指揮同一作品(選段)的黑膠碟!細看之下,原來不是同一版本,前者錄於 1955年,這張「新」的則錄於十年之後的1965年。
這個版本可謂陣容鼎盛: Franz Crass飾Sarastro Fritz Wunderlich飾Tamino Roberta Peters飾Queen of the Night,Evelyn Lear飾Pamina Dietrich Fischer-Dieskau飾 Papageno等。雖說這個陣容一時無兩,但亦有些人對選角不以為然,尤其是對夜后和Papageno。他們說夜后Roberta Peters黃金時期已過,音準亦有問題;而Fischer-Dieskau則太一本正經了,沒有「鳥人」的單純。
我當年仍是黃毛小子,根本不知人家說的是對是錯,只知「好聽、唔好聽」。今天聽來,Roberta Peters在聲音上比起一些美聲花腔確有不及,但覺得她似乎是刻意用較粗的聲音去刻劃夜后的性格。聲音與演繹,兩者都重要,你偏重哪個多些?至於Fischer-Dieskau的情況卻剛好相反,他的聲音太完美了,但未夠詼諧,這是他的性格使然吧!整體來說.這是一個很高水平的「魔笛」,瑕疵一定有,但它擁有最佳的大司祭,聲音漂亮兼有表情的Tamino,Papagena也非常可人。
我要強調,在一套幾乎每個角色都重要的歌劇(大司祭、夜后 Tamino、Pamina、Papageno Papagena、三個使女、二個小童,嘩!),根本沒有可能找到一個完美的「最佳」版本。而Karl Bohm卻是很多人心目中最佳莫札特演繹者,聯同柏林愛樂,再加上Clearaudio 180g黑膠,碟面噪音極低,縱非完美,距離亦不遠了。

 

 

 



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